Illuminated Manuscripts: Difference between revisions

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===Scripts or Hands===
===Scripts or Hands===
Scripts varied with the tools available.
Scripts varied with the tools available.
There are many families of scripts.
We talked about these scripts in particular:
*'''Uncial''': It's often called an "early Christian" script because it was used during the 4th and 5th centuries for sacred writings.
*'''Gothic''': This script was developed in the 12th century and, for pratical reasons, the letters are very narrow.


===Initials===
===Initials===
Line 43: Line 48:


====Scripts or Hands====
====Scripts or Hands====
There are many families of scripts.
Developed in the 20th century, the '''Foundational hand''' is based on the script used by Roman stone cutters.
 
We talked about three scripts in particular:
*Developed in the 20th century, the '''Foundational hand''' is based on the script used by Roman stone cutters.
*'''Uncial''': It's often called an "early Christian" script because it was used during the 4th and 5th centuries for sacred writings.
*'''Gothic''': This script was developed in the 12th century and, for pratical reasons, the letters are very narrow.


===Borders===
===Borders===

Revision as of 18:12, 21 August 2014

Illuminated Manuscripts

Scripts or Hands

Scripts varied with the tools available. There are many families of scripts.

We talked about these scripts in particular:

  • Uncial: It's often called an "early Christian" script because it was used during the 4th and 5th centuries for sacred writings.
  • Gothic: This script was developed in the 12th century and, for pratical reasons, the letters are very narrow.

Initials

Categories of initials
  • Foliate initial
  • Historiated initial
  • Inhabited initial
  • Pen flourished initial


Régine Pernoud, Those Terrible Middle Ages! Debunking the Myths (San Francisco: Ignatius Press, 2000).
One ornamented letter is enough to reveal what artistic creation could be in the Romanesque period. Let us not even speak of those that recount, for instance, an entire biblical or historical scene. A quite simple initial, in its essential, readable, recognizable form, is found taken up anew by every copyist, every illuminator, who made it his own and developed its inner possibilities, so to speak. It can be almost intoxicating; one becomes a veritable maze of foliage and interlacing, another gives birth to an animal that ends in a man's face, or a man becomes a monster or angel or demon; nevertheless, the letter has not been betrayed; it remains, but ceaselessly recreated. And this is without doubt what characterizes Romanesque art (and Gothic art as well, despite certain excesses that marked its end): respect for the essential function within a perpetual rediscovery of its inherent possibilities. (44)
The image, the knowledge we have of the Middle Ages through architecture, sculpture, stained-glass windows, frescoes, even tapestries--"open air" documentation--represents not even a hundredth part of what we might learn from the reproduction of manuscript miniatures, if this were systematically carried out with the means of color reproduction we have available today. It is quite surprising that in the audio-visual era nothing has yet been undertaken in this sense on the requisite scale. A profound gap will remain in our knowledge of the Middle Ages as long as the necessary effort has not been carried out in this domain. (151)

Apropos Videos


Ecclesial Art Project

Calligraphy

Lettering with pen and ink emerged in the 4th century. For more than a thousand years, beautiful writing was not only desired but required; it was a necessity for book production. The advent of the printing press reduced the need for professional scribes and gradually their skills fell into disuse. The revival of the art of beautiful writing at the turn of the 20th century is credited to Edward Johnston.

How is calligraphy different from ordinary handwriting? In calligraphy, letters are made up of multiple strokes and must be written slowly and deliberately, with great attention to form.

Guidesheet

We explained the guidlines in this order:

  • Base line: The main body of each letter sits on this line.
  • Waist line: This is the upper limit for the main body of miniscule letters.
  • Cap line: This is the upper limit for maiuscule letters.
  • Ascender line
  • Descender line
  • Checkerboard pattern: It determines the x-height (the height of the main body). To create this pattern, draw a vertical line with a pencil; hold the nib at a 90 degree angle (it should be aligned with and sitting on the vertical line), make a short stroke with the nib, pulling away from the vertical line; turn the page 180 degrees (turn it upside down) and make another stroke, pulling away from the vertical line.
N.B. a bigger nib = a bigger checkerboard pattern = bigger letters

Scripts or Hands

Developed in the 20th century, the Foundational hand is based on the script used by Roman stone cutters.

Borders